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Lifestyyle Observation may have driven some of the development of the nude, but observation also budes to idealisation and, for many artists, sketching the Lifestylf body was not about capturing a discreet moment in the life of a living figure, but about perfecting the form of the figure beyond the particulars Lifesfyle any one body. Artists such as Durer sought to schematise the body, Lifestyle nudes its proportions and determine the ideal relation of its parts to one another. It features works by Giovanni Bellini, Donatello, Albrecht Durer, Jan Gossaert, Antonio Pollaiuolo and Titian, and includes paintings, sculptures, drawings including anatomical renderings by Leonardo da Vinci and prints.
The Baldung drawing reminds the viewer of something that becomes a powerful leitmotif of the exhibition - that many of these works insist on operating in wildly different, even self-contradictory ways. By that standard, the Getty Museum's The Renaissance Nude is a very fine show, adding layers of complexity to the general understanding of how the naked body became a subject for art in the 15th century. The impulse to virtuosity, to elaborate and refine and outdo earlier work, might explain the slightly surreal Battle Of The Nudes, by Pollaiuolo, an engraving that was influential throughout Europe.
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Artists such as Michelangelo pushed that idealisation to create what still reads today as superhuman bodies, perfect beyond reason.
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