• Youre so sexy perfect for me lyric

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    Last night I xexy high as the expectations. Last night, I came to a realization Taylor: You don't have to call, anymore Look, lyrlc finishing each other's sentences. I had to let go of us to show myself what I could do, and that just didn't sit right with you. And now you're trying to make me feel a way, on purpose. Now you're throwing it back in my face, on purpose. Now you're talking down on my name, on purpose. And you don't feel no way, you think I deserve it Taylor: You seemed so into it before!

    Girl, you don't hope me, you not say that s--t to get me Taylor: And now you're looking to having me spending a way, on january. And you don't do no way, you sit I dispatch it Taylor:.

    Girl, you don't love me, you just say that s--t to get me Taylor: We are never, ever, ever getting back together I'm onto you. Mistook all that affection for something more. I'll be going now La La La by Naughty Boy ft. But of course music is another way to keep people out of your face, so as a nod to the modern world, Naughty Boy 's lyric has him putting in the earbuds and "turning up the volume" to block out any further interaction, while continuing to sing out loud. So the childlike, wordless Bollywood refrain upon which the song is built exists not only to us, but also within the reality of the lyric. It has pathos and longing and angst and a fierce sense of lust, particularly in the verses.

    But what it lacks is a way of getting across just how doolally Lady Gaga 's passion has sent her. What she needs is a way of capturing lyruc twin poles of despair and arrogance - a musical version of "I know this is a terrible idea but I'm damn well going to do it anyway" - created by this exceptional eprfect. The words she chooses to do this with are perfect, starting with gibberish, stopping off at coquettish bluster and ending with a simple beckoning forefinger in her Youfe direction: The narrative portion of the Crystals lyric is so direct as to appear bland, and relies entirely on its musical setting and the wordless refrain that surrounds it.

    Between the two lies the knowing refrain "da doo ron ron ron, da do ron ron", a very neat musical way of suggesting there's a gang of friends surrounding the narrator and they are squealing at her romantic revelations, both said and unsaid. This only intensifies as the chorus recaps the verse with a lyrical payoff that leaves everything to the imagination: It's there in the verses, which lament the passage of time with the vanity of youth: Luckily, nothing focusses the mind on appreciating the moment like a fantastic pop song with a giddy chorus, so in a sense, it's the least meaningful sections of the song that carry its message best.

    Inspired by the chant in Michael Jackson 's Wanna Be Starting Something - which was itself derived from Manu Dibango 's Soul Makossa - Lionel called up a friend at the United Nations for the right language to help him create a great African incantation.

    But, lyri he told the New York Posthe'd given his friend too Youde a brief - "Lionel, there's African dialects. This had the unexpected side-effect of making that section of the song appear to mean Yourf things in md cultures: Everything the song has to say is best said by that nagging opening refrain, which is so lively and chipper - but slightly cross perfecf unsettling with it - that it sounds like you're being mugged by overexcited garden gnomes. After just 20 seconds of this verbal assault, the quickfire lyrical braindump of the verse acts as a moment of relative calm, where sanity is restored by Gerard Way describing the life of a nihilistic gang member with low morals.

    Then when the chorus arrives it's with a slightly altered version of that opening refrain, as if we're now in a grand opera, the gnome West Side Story, where the surly drama of the verses is amplified by the spiralling insanity of those gangs of mocking voices into something quite disturbing. However, it's hard to imagine the compilers of the Oxford English Dictionary being unduly troubled by the section in Planet Rock - Afrika Bambaataa 's pioneering rap track - in which he, or one of his Soulsonic Crew, elect to stop rapping with words about how fantastic they are, and just zizz their way through a verse instead.

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